Zulu Mkhathini: Back In His Element
On 1 October, SABC1 brought back HotSpot Seli with Khanyi Mars, Munaka Muthambi and Roiii as its new presenting trio. The following night, VIP Lounge
On 1 October, SABC1 brought back HotSpot Seli with Khanyi Mars, Munaka Muthambi and Roiii as its new presenting trio. The following night, VIP Lounge
About an hour after its planned start time, Nasty C quietly went live from Jazzworx Studios and introduced viewers to the rules of Speed Run.
For Scoop, greatness is about more than bars. It is originality, influence, musicality, longevity, business and whether an artist changed what the generation after them
After years of shaping South African youth culture from television, radio, hip-hop and the frontlines of the scene, Scoop Makhathini is still in motion. Over iced coffee and fries at Mugg & Bean before his Metro FM show, he talks curiosity, Michael Jackson, Kanye West, South African hip-hop, radio and why staying outside is the only way to stay sharp.
The FocaForum 2000 makes Focalistic the first African musician to collaborate with adidas South Africa. More importantly, it turns the story of where he comes
Almost two months after Swae Lee, Bryson Tiller and Masego descended on Durban, the inaugural Ascots still feels like an important proof point for the
Back in 2020, during the heart of lockdown, Nonhlanhla Ndlovu came up with a plan: she was going to teach herself how to crochet. At
Last month, Emtee stood on stage at Cape Town’s Kota Festival and got a crowd to chant “Fuck Nota.” Nota Baloyi wasn’t there. But, not
SHOULD GENDER BASED VIOLENCE BE CONSIDERED A NATIONAL DISASTER?
On 1 October, SABC1 brought back HotSpot Seli with Khanyi Mars, Munaka Muthambi and Roiii as its new presenting trio. The following night, VIP Lounge premiered on Mzansi Magic with
About an hour after its planned start time, Nasty C quietly went live from Jazzworx Studios and introduced viewers to the rules of Speed Run. Over the next few hours,
For Scoop, greatness is about more than bars. It is originality, influence, musicality, longevity, business and whether an artist changed what the generation after them believed was possible.
Last month, Emtee stood on stage at Cape Town’s Kota Festival and got a crowd to chant “Fuck Nota.” Nota Baloyi wasn’t there. But, not long after clips of the
Back in 2020, during the heart of lockdown, Nonhlanhla Ndlovu came up with a plan: she was going to teach herself how to crochet. At the time, Ndlovu was studying
The funny thing about “Ngisakuthanda” becoming one of Zee Nxumalo’s defining songs is that Zee Nxumalo did not particularly like it. When she first heard the record, she felt almost
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